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How did he do it? The novel is by no means perfect. George Orwell had some rules for good writing, two of which go something like this: John O'Brien never heard of George Orwell's rules for good writing.

So, it you look at the reviews that mention O'Brien's prose, most remark on it unfavorably. It does take some getting used to, but after awhile you don't notice it.

Sera and her world are the subject of the first third of this short novel. Ben and his world take us a little past the halfway mark and the rest develops the relationship between Ben and Sera.

Not so much here. They don't know why they do what they do and neither do we. Perhaps that's just the way it is.

Ben and Sera form a relationship out of loneliness and desperation. This isn't going to be a pretty thing and it could have easily descended to the maudlin, but O'Brien is too smart for that.

Neither Ben nor Sera complain; their stoicism is remarkable. And O'Brien salts this sad tale with necessary doses of humor.

In so doing, O'Brien has given the readers a rooting interest in the characters. There can be no happy ending to this story; the readers know how it must end and O'Brien delivers.

It is the inevitable tragedy of flawed characters played out in slow motion and O'Brien has made us care all the way to the end.

That is the genius of Leaving Las Vegas. Oct 16, stacy rated it really liked it Recommends it for: Dec 31, Jonathan Sturak rated it it was amazing.

One of my very favorites. Leaving Las Vegas is a study of three characters lost in their own worlds. Sera grows from a naive girl lost on the streets in Los Angeles to a smart, sexy, and increasingly independent woman working the streets in Las Vegas.

I understand why Sera does what she does, and so does she. I particularly like Ben. He is the guy you see stumbling through the shadows at 2 am.

Ben is lost in the world he lives in, shunned by society, by everyone, but he is grounded in his own worl One of my very favorites.

Ben is lost in the world he lives in, shunned by society, by everyone, but he is grounded in his own world.

Ben has a plan and this is why his character is so powerful. His plan of drinking himself to death sounds bizarre, even downright insane, but he has every detail worked out perfectly.

This is where Ben gets interesting. He is a good person deep down and my moments with him in the story really make me empathize with him.

Al hides behind his Mercedes, his fancy jewelry, and his false sense of control over Sera. While Sera and Ben are in the front seat of the car plummeting off the cliff with their eyes open, Al is in the backseat with his eyes closed.

He died too young. You live on through your words May 11, Asghar Abbas rated it it was amazing. Already seen the movie, loved it.

Now I must read the book too. I enjoy comparing movies to their source marterial especially if they are good. Aug 10, Suvi rated it it was amazing Shelves: John O'Brien's debut novel was published in , making it the only one in his very short body of work that was published before his death by suicide in , only two weeks after finding out that his novel would be made into a movie.

This is less about how to deal with addiction than about the moments after Ben's decision to end his life, and the resolve that follows.

Ben is too far gone for a mirac John O'Brien's debut novel was published in , making it the only one in his very short body of work that was published before his death by suicide in , only two weeks after finding out that his novel would be made into a movie.

Ben is too far gone for a miraculous all-encompassing cure that suits the society's concept of redemption and happiness.

Ben is at the end, at a point when he can't go back, but also - most of all - doesn't want to go back. He moves into a different direction at the crossroads than you'd expect, just waiting for that final snap to come while walking through a limbo of motel rooms and empty bottles.

Some consider Leaving Las Vegas a romance, but I'd say it's about a connection deeper and less flimsy than that, almost primeval. A connection that allows Ben and Sera to act like themselves without the need to pretend or to hide something in themselves they don't want or need others to see.

They show their true selves, true intentions, innards, and find their souls in each other. According to Erin , John's sister, he was a devout atheist, but Erin notes the presence of religious icons in his works and suggests he might have been thinking about spirituality during his last years.

Erin considers Sera a shortened form of a seraph. Seraphim are the highest form of heavenly beings in Christianity and caretakers of God's throne, and Pseudo-Dionysius the Areopagite 's description of seraphim in The Celestial Hierarchy is actually very relevant to Sera and how she's portrayed in relation to Ben: O'Brien doesn't lower himself to preaching a moralistic lesson about salvation, but instead challenges to think about an alternative path.

In the end, Sera and Ben accept each other's actions and understand, sometimes even without words, what the other needs. It's the kind of companionship not everyone are able to experience in this life.

Ben's motivations are largely left unexplained, and it's the lack of easy answers that makes the novel so involving and full of life.

Knowing where all's going to end up is painful, but there's comfort in knowing that Ben has had the chance to live on his own terms and spend his last moments with someone like Sera.

For those who are willing to see it, there are moments of beauty along the way, but they're just masked with the lights of strip joints and the stench of a stale casino carpet.

We can never know what O'Brien would have thought about the movie adaptation, but in my opinion it does justice to his work. For one, the cinematography is gorgeous.

It's like the visual equivalent of the feeling you get when you're reading the novel. Obviously, the book delves a little deeper and the relationship between Ben and Sera is probably more fleshed out, but otherwise the movie is very much worth two hours of anyone's life.

Originally, I slapped a four star rating on this, but my undying love of slow-burn stories has struck again, and so the amount of days I have thought about this since I read it warrants a full-blown five stars.

A very rare occurrence with me, I might add. Jan 26, E. It was slow at first, but then when Ben and Sera meet, it was really good. Really, really, really good.

And I appreciate that she didn't try to save him. How can you be so old? I'm just using you. Can we not talk about it anymore.

Please, not another word, okay? Sera's not living up to any agreement, she is simply living. Ben gave this ack to her, and therein lies the agreement.

Sep 01, Jeff Yoak rated it did not like it Shelves: Of all books I've abandoned, this is one of the ones I've put down most quickly. The writing style seemed so clumsy and pretentious to me that I simply couldn't endure it.

This literally is of a quality that if I was handed it by a high school student I could only respo Of all books I've abandoned, this is one of the ones I've put down most quickly.

This literally is of a quality that if I was handed it by a high school student I could only respond with a lecture about writing in your own voice and not trying to sound literary.

Jul 23, Jeremy rated it it was amazing Shelves: I was a fan of the film - in particular Cage's performance - so came to this novel with high expectations, and it delivered.

O'Brien manages to thread together some strong, all-too-human character sketches into a marvelous, haunting story. It is both beautful and thickly sad.

Triumph and tragedy are rarely so interestingly and engagingly welded together. It's unconventional almost drunken? Perhaps, in points, the narrative focus can get a little abrasive in the sense of I was a fan of the film - in particular Cage's performance - so came to this novel with high expectations, and it delivered.

Perhaps, in points, the narrative focus can get a little abrasive in the sense of being un-necessarily leading, but this is a very minor hiccup in a great modern novel.

Jul 29, Matt added it. I think what amazes me is the number of times I have referenced or quoted this book. It is the most remarkably sad, depressing story that is still a love story, in some strange world.

Only read if you like dark movies or books. But if you do, this is the book for you. Dec 23, Mickey rated it it was amazing.

John O'Brien's haunting love poem to alcohol and Las Vegas is dark, sad, and beautifully written. Told via three troubled characters, the story shares the lives of a sadistic pimp, a sensitive prostitute, and a suicidal man on a bender--his last.

That the hard drinking young author took his own life makes this literary tale even more poignant. Mar 20, Paul Boger rated it really liked it.

The possibility rises out of several conspicuous dynamics in the film. First, that Ben's life was invested developing Hollywood drama prior to being dismissed by his boss, who will clearly miss his talent and personality in the office, a talent singularly broken by the ravages of alcoholism.

He is good at inventing and developing "story". If his occupation had been Investment Banking or Teaching, I'd feel differently.

But John O'Brien bore him with a Hollywood mind. That lit the flame for me. That Ben repeatedly calls Sera his angel during his demise - as he enjoys the best of - and endures the worst of - Las Vegas living.

It is possible that all of it is a hallucination during the final pathetic act of his life. The invention of Sera makes his passing bearable, doable, a possible goal for him.

That Sera endures the college team horrors, discuses her relationship with the off-camera therapist to whom she confesses her soul-deep love for Ben In my last analysis, she is an angel divined in his fertile mind to embody all of the good people and events in his life the wealth flashback memories, e.

Sera has come to take him out while steeling the love in his heart. She sees him for what he is, because that's what responsible angels do.

This is a work with metaphor far beyond the veneer of the surface dialog. It's a film demanding to be viewed more than once. Or perhaps, I'm just going nuts, have lost it and I'm hallucinating in my own right.

Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!

Keep track of everything you watch; tell your friends. Full Cast and Crew. Ben Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death.

There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera. John O'Brien based upon the novel by , Mike Figgis screenplay by.

What's on the "Mayans M. Related News Film News Roundup: He told Film Critic: A lot of conversations. A lot of communication in the year before we made the film.

I encouraged them [Cage and Shue] to do their own research, which they wanted to do anyway, and then ultimately the three of us got together and just started talking He also visited hospitalized career alcoholics.

The limited budget dictated the production and Figgis ended up filming in super 16mm and composing his own score. We couldn't shut down The Strip to shoot".

Figgis had problems because permits were not issued for some street scenes. You put them up against a couple of trucks, with it all happening around them, and their voices become great".

Leaving Las Vegas had a limited release on October 27, After praise from critics and four Academy Award nominations, the film was released nationwide February 9, Leaving Las Vegas was received very well by critics.

Ebert wrote, "They [the characters] are the drunk and the whore with a heart of gold. Ebert named the film "best of " and included it with his "best of the decade" list Leaving Las Vegas was 8.

The website's critical consensus reads, "Oscar-awarded Nicolas Cage finds humanity in his character as it bleeds away in this no frills, exhilaratingly dark portrait of destruction.

Australian and UK editions were later released. A soundtrack album, consisting mainly of film score composed and performed by Mike Figgis, was released November 7, A version of " Lonely Teardrops " performed by Michael McDonald that features in the film is not included.

From Wikipedia, the free encyclopedia. Not to be confused with Fear and Loathing in Las Vegas.

For other uses, see Leaving Las Vegas disambiguation. Simpson Laurie Metcalf as Landlady. Library of Congress Manuscript Division. Retrieved 12 May This article incorporates text from this source, which is in the public domain.

Retrieved 1 May

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